Minggu, 02 Oktober 2011

One Nation Under God, by Bruce Ashford, Chris Pappalardo

One Nation Under God, by Bruce Ashford, Chris Pappalardo

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One Nation Under God, by Bruce Ashford, Chris Pappalardo

One Nation Under God, by Bruce Ashford, Chris Pappalardo



One Nation Under God, by Bruce Ashford, Chris Pappalardo

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Is it possible to be passionate about the gospel and care deeply about politics? Can we engage in politics responsibly, confidently, graciously—even Christianly? When it comes to politics, Christians today seem lost and confused. Many Christians desire to relate their faith to politics but simply don’t know how. This book exists to equip the reader to apply Christianity to politics with both grace and truth, with both boldness and humility. Politics is not an evil arena to be avoided. Neither is it our only avenue for impacting society. The reality is much more complex and, oddly enough, much more promising.

One Nation Under God, by Bruce Ashford, Chris Pappalardo

  • Amazon Sales Rank: #357379 in eBooks
  • Published on: 2015-11-29
  • Released on: 2015-11-29
  • Format: Kindle eBook
One Nation Under God, by Bruce Ashford, Chris Pappalardo

About the Author Bruce Riley Ashford is Provost and Professor of Theology & Culture at Southeastern Baptist Theological Seminary in Wake Forest, NC.Chris Pappalardo is Lead Researcher and Writer at The Summit Church in Raleigh-Durham, NC. 


One Nation Under God, by Bruce Ashford, Chris Pappalardo

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4 of 4 people found the following review helpful. One of the best books I've read in a long time... By Brian O. Langley This book was a fantastic work and really helped me to wrestle between than fine line of getting involved with politics vs. doing nothing at all in that arena. I believe this book is gold standard with the subject matter of Gospel Centered people and politics... and I believe this book will stand the test of time and continue to be the gold standard even as more authors weigh in on this nuanced issue.

2 of 2 people found the following review helpful. A Biblical Defense of Politics as a Societal Institution & A Call for Christians to Engage In It By Craig P. Hurst Many Christians believe politics to be a necessary evil. In other words, politics exist only because sin is present in man and the world. We only need political governance because our sinfulness requires it. God should be our ruler and not man! Further, Paul’s statement in Romans 13 that God has put in place those in government is only the case because of the sinful state in which man finds himself.But is this the case? Is politics a necessary evil? Is it an evil institution by definition? Or is the political governance of people a necessary part of human existence regardless of the presence of sin?Authors Bruce Ashford and Chris Pappalardo argue in their new book, One Nation Under God: A Christian Hope for American Politics (B&H, 2015), that a proper understanding of the nature of man, the mandates God gave man, and the governance of people, will help us to see that politics is actually a good part of God’s created order. Similar to the institution of marriage, just because people mess it up does not mean the institution is bad. Just because politics can be full of corruption, greed, and a whole host of sins, does not mean as an institution it is evil.In the first half of the book the authors build a positive case for politics. Given that politics is simply the governance of a society and the theory and practice of influencing others in a society, politics is not inherently evil (9). Even in a world without sin, the authors point out, decisions like what side of the road cars can drive on in a given direction still need to be made. People would be engaging in politics in order to make these decisions. It is through a decision of politics that Americans drive on the right side of the road and the British drive on the left. There would still be thousands of decisions like this in a sin free world. Political governance is the social mechanism through which these decisions would be made.With this understanding of politics in mind the authors explore various aspects of the intersection between Christianity and Americas political system which is not characterized as being Christian and is tainted by sin. Of particular interest is the attitude the authors encourage Christians to hold toward politics. Whatever the historical Christian context may be for the founding of America, it is clear that we are far removed from that and are most likely never going back. How do Christians now live in this increasingly post-Christian political climate?"As faithful Christian citizens, we must never recant our beliefs or act unethically because of pressure put upon by fellow citizens. But as flexible Christian citizens, we must accept the limitations of living in a country composed of fellow citizens who do not share our vision of the good life." (52)The idea of a Christian American is probably lost forever but Christians ought to always be concerned for and involved in politics because it is the social mechanism of social governance that effects us all.The second half of the book seeks to apply the first half of the book in guiding Christians how to think about seven areas of hot political and social discussion:Life and DeathMarriage and SexualityEconomics and WealthThe Environment and Ecological StewardshipRacial Diversity and Race RelationsImmigrants and Immigration ReformWar and PeaceEach of the chapters first lay a biblical foundation for each issue. These are necessarily short but get to the heart of each issue. Then they are examined from the current cultural/social/political landscape. Finally, examples are given of Christians who are leading the way in the discussion of these various areas as means for guiding Christians in applying the principles the authors laid out in the first section of the book.One Nation Under God is an accessible, biblically faithful, realistic look at politics from a Christian worldview. Though both authors are theologians and writers, and not politicians, they still write with understanding and authority on this issue. Understanding politics from a creation, fall, redemption, restoration lens helps them to see politics as the good societal structure that it is. I strongly recommend this book for any Christian especially those who are wary of contemporary politics and the Christians role within it.I received this book for free from B&H Academic for this review. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

0 of 0 people found the following review helpful. Perceptive and Peaceable By Michael Philliber It’s that time! It happens every couple of years when the American blood pressure spikes, the nation grabs it’s communal chest, staggers and stumbles, all red-faced and in cold-sweats. It’s called election season, and by all reports on social media, news accounts, video feeds, journal articles, coffee shop chats and blog posts, it’s the end of America once again! The sun is about to turn black, the moon blood red, stars are on the verge of falling out of the sky to crash into the earth. Into this national apocalyptic and apoplectic ailment steps a new, 176 page hardback, “One Nation Under God: A Christian Hope for American Politics” that seeks to bring sensibility and solidity. Bruce Riley Ashford, professor of Theology and Culture, provost and dean of faculty at Southeastern Baptist Theological Seminary, and Chris Pappalardo, lead researcher and writer at The Summit Church, have banded together to present this easy-to-read guide into the hands of Christians from all walks of life. Their aim is “to share a perspective on politics that tempers the expectations of those with inflated hopes, empowers those with deflated hopes, and equips every Christian to apply Christ’s love in the muddied arena of politics” (2).The book unfolds into two sections. The first six chapters work out the biblical, and Christian, backstory of our world and politics, and then move forward to the sane, stable and sound reasons Christians can engage with politics. The authors recognize that there will be tensions in the political arena because of where we are in human and philosophical history; “The gospel story is deeply at odds with modern political narratives because each looks to a different place for history’s true meaning” (32). Therefore, wisely, they remind us that we “should not expect more from politics and public life than can be had in this time between times” because infusing “politics with majestic hopes will only lead to crushing disappointment” (56). This means that as Christians involve themselves in statecraft we exercise a public righteousness and civility where we “hold our convictions, but out of love for our neighbor and concern for our witness, we hold them in a gracious and kind manner” (58). Ashford and Pappalardo rightly see the importance of civility in our public discourse, and describe it as “not spinelessness but self-control; it is the capacity to show love and grace particularly when we disagree with others and even when we dislike them.” And this civility has two sides, civil speech and civil attitude (58-9).The second segment of “One Nation Under God” attempts to address seven hot subjects, and how Christians might persuasively speak to their fellow citizens. The topics include life and death issues, sexuality, economics, the environment, race, immigration and war. The authors workout their thoughts from Scripture and Christian convictions (thick reasoning) and then imagine ways to bridge into the secular square to speak insightfully to those who reject both sources of authority (thin reasoning).Though some readers may find the directions and conclusions more conventional, or less rigid, than they like, nevertheless they will be helped by the mental exercise presented in these chapters. The concluding pages bring in Augustine and his approach in The City of God and how this can be an astute model for Christian participation in the civic arena, because we “Christians should be, without qualification, the heart and strength of every good social effort” (139). “One Nation Under God” is a perceptive and peaceable volume. Throughout the material the authors thoughtfully interact with several thinkers, to include Lesslie Newbigin, N.T. Wright, Martin Luther King Jr., Richard John Neuhaus, Abraham Kuyper, and Richard Mouw; and have crafted a handy, useable resource for Christians as we think sanely about our Nation, elections, and our public responsibilities. The book would be ideal for discussion groups, church leadership, and even Adult Christian Education classes (it doesn’t support or promote any candidate or party). It would also be worth passing a copy along to Christian friends and family. I salute Ashford and Pappalardo for their excellent work.Thanks to B&H Publishing Group for providing, upon my request, the free copy of “One Nation Under God” used for this review. The assessments are mine given without restrictions or requirements (as per Federal Trade Commission’s 16 CFR, Part 255).

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One Nation Under God, by Bruce Ashford, Chris Pappalardo

Kamis, 29 September 2011

God and My Neighbour, by Robert Blatchford

God and My Neighbour, by Robert Blatchford

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God and My Neighbour, by Robert Blatchford

God and My Neighbour, by Robert Blatchford



God and My Neighbour, by Robert Blatchford

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Robert Peel Glanville Blatchford .was a socialist campaigner, journalist and author in the United Kingdom. He was a prominent atheist and opponent of eugenics. He was also an English patriot. In the early 1920s, after the death of his wife, he turned towards spiritualism. A further development in Blatchford's thinking cost him further readers, when he began denouncing organised religion in such works as God and my Neighbour in 1903 and ‘Not Guilty: A Defence of the Bottom Dog’ 1905. Again, to antagonise the ILP, the Clarion raised funds for Victor Grayson, whom the ILP had declined to support. He justified his attacks as being because Labour was too close to the Liberals. Yet Robert Blatchford was no feminist. He had become converted to socialism after writing a series of articles on conditions in the slums of Manchester for the Sunday Chronicle.

God and My Neighbour, by Robert Blatchford

  • Published on: 2015-11-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .28" w x 6.00" l, .39 pounds
  • Binding: Paperback
  • 124 pages
God and My Neighbour, by Robert Blatchford


God and My Neighbour, by Robert Blatchford

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1 of 3 people found the following review helpful. This book does not disappoint. By Rennyrij Don't be fooled by the obvious reprint format and typewriter font - this book, written in about 1903 by Robert Blatchford during his early 50's, is of the highest quality, and a more cool-headed accounting of the inconsistencies of the Christians' Bible than any other I have run across. (I'm sure I haven't found them all yet!) This is a book you could hand to a clergyman or a "true believer" of Christianity, without insulting their intelligence or alienating them (unless they INSIST upon being alienated; we have no control over that). His writing is measured and patient. He wishes to get across one idea at a time. And he does not seek to scorn these Christian people; he only seeks to gently persuade the believer to look at the biblical writings for what they are. I really like this book.

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God and My Neighbour, by Robert Blatchford
God and My Neighbour, by Robert Blatchford

Senin, 26 September 2011

Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine,

Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

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Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon



Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

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Body snatcher. Grave robber. Mad scientist. Brilliant surgeon. Delve into the macabre world of St. Louis’s Dr. Joseph Nash McDowell, a man so loathed by the public that he wore body armor and so idolized by his anatomy students that they dug up corpses for his experiments. This ghoulish doctor cast a pall over the city and left a host of fiendish mysteries. Did his mother’s ghost actually help him escape an angry mob? Did he really hang the corpse of his daughter in Hannibal’s Mark Twain Cave? What very real horrors remained in his medical college after loyal Unionists drove him out? Dissect a life surrounded by speculation and a legend littered with ghosts.

Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

  • Amazon Sales Rank: #1093071 in eBooks
  • Published on: 2015-10-12
  • Released on: 2015-10-12
  • Format: Kindle eBook
Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

About the Author Victoria Cosner has been involved with museums and historic sites for over thirty years. She holds a masters degree in American studies, specializing in cemetery landscapes and is a member of the Association for Gravestone Studies. She currently works for Missouri State Parks and lives in the St. Louis area. Lorelei Shannon has been Victorias friend for thirty-five years and counting. They share a love of dark history and co-authored a book on the life of Madame Lalaurie.


Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

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0 of 0 people found the following review helpful. Five Stars By Russ33 Very interesting book

0 of 0 people found the following review helpful. Three Stars By BillG a lot of anecdotal stuff not directly linked to the crazy doctor

0 of 0 people found the following review helpful. Five Stars By Debra L. Summers Love the book

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Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon
Missouri's Mad Doctor McDowell: Confederates, Cadavers and Macabre Medicine, by Victoria Cosner, Lorelei Shannon

Minggu, 25 September 2011

After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

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After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press



After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

Read and Download After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

Writers of the modern essay can trace their chosen genre all the way back to Michel de Montaigne (1533–92). But save for the recent notable best seller How to Live: A Life of Montaigne by Sarah Bakewell, Montaigne is largely ignored. After Montaigne―a collection of twenty-four new personal essays intended as tribute―aims to correct this collective lapse of memory and introduce modern readers and writers to their stylistic forebear. Though it’s been over four hundred years since he began writing his essays, Montaigne’s writing is still fresh, and his use of the form as a means of self-exploration in the world around him reads as innovative―even by modern standards. He is, simply put, the writer to whom all essayists are indebted. Each contributor has chosen one of Montaigne’s 107 essays and has written his/her own essay of the same title and on the same theme, using a quote from Montaigne’s essay as an epigraph. The overall effect is akin to a covers album, with each writer offering his or her own interpretation and stylistic verve to Montaigne’s themes in ways that both reinforce and challenge the French writer’s prose, ideas, and forms. Featuring a who’s who of contemporary essayists, After Montaigne offers astartling engagement with Montaigne and the essay form while also pointing the way to the genre’s potential new directions.

After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

  • Amazon Sales Rank: #1034849 in Books
  • Published on: 2015-09-15
  • Released on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .73" w x 6.39" l, .0 pounds
  • Binding: Hardcover
  • 272 pages
After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

Review Imagine the dinner party: not just Montaigne but many Montaignes, resurrected in these brilliant essays by twenty-eight of today’s most inventive writers. The table is crowded, enlivened by the paradoxical warmth of Montaigne’s detachment and by the parry and thrust of ideas, often tantamount to a kind of quiet eros. It’s a dinner full of random appetites, the kind of party we leave knowing ourselves a little less, which might mean a little better. What a feast this collection is. It satisfies a hunger―intellect meeting empathy―that enlarges us. (Barbara Hurd author of Listening to the Savage: River Notes and Half-Heard Melodies)A fascinating collection of essays that carries forward the omnidirectional momentum of the master. After Montaigne gives us grand examples of the essay as it lives today. (Ian Frazier author of Great Plains)Though Montaigne wrote more than 400 years ago, he feels ageless to these writers, who celebrate his 'drily mellifluous voice,' discursive style, and relentless curiosity. With flair, wit, and imagination, these writers embrace and often challenge their mentor, with results that will inspire readers to also seek out the originals. (Publishers Weekly)The collection is accessible and invites readers to dip in anywhere, to read all or only a few. Reading these "covers" alongside Montaigne's originals would make an engaging activity for aspiring essayists or composition students. (P.J. Kurtz Choice)

From the Inside Flap

Writers of the modern essay can trace their chosen genre all the way back to Michel de Montaigne (1533 92). But save for the recent notable best seller How to Live: A Life of Montaigne by Sarah Bakewell, Montaigne is largely ignored. After Montaigne a collection of twenty-four new personal essays intended as tribute aims to correct this collective lapse of memory and introduce modern readers and writers to their stylistic forebear.

Though it s been over four hundred years since he began writing his essays, Montaigne s writing is still fresh, and his use of the form as a means of self-exploration in the world around him reads as innovative even by modern standards. He is, simply put, the writer to whom all essayists are indebted. Each contributor has chosen one of Montaigne s 107 essays and has written his/her own essay of the same title and on the same theme, using a quote from Montaigne s essay as an epigraph. The overall effect is akin to a covers album, with each writer offering his or her own interpretation and stylistic verve to Montaigne s themes in ways that both reinforce and challenge the French writer s prose, ideas, and forms. Featuring a who s who of contemporary essayists, After Montaigne offers a startling engagement with Montaigne and the essay form while also pointing the way to the genre s potential new directions."

From the Back Cover

A fascinating collection of essays that carries forward the omnidirectional momentum of the master. After Montaigne gives us grand examples of the essay as it lives today. Ian Frazier, author of Great Plains

Imagine the dinner party: not just Montaigne but many Montaignes resurrected in these brilliant essays by twenty-eight of today s most inventive writers. The table is crowded, enlivened by the paradoxical warmth of Montaigne s detachment and by the parry and thrust of ideas, often tantamount to a kind of quiet eros. It s a dinner full of random appetites, the kind of party we leave knowing ourselves a little less, which might mean a little better. What a feast this collection is. It satisfies a hunger intellect meeting empathy that enlarges us. Barbara Hurd, author of Walking the Wrack Line: On Tidal Shifts and What Remains

The University of Georgia PressAthens, Georgia 30602www.ugapress.org

ISBN 978-0-8203-4815-5"


After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

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3 of 3 people found the following review helpful. Homage and More By hh I feared this volume might prove to be un tout petit precious as notable essayists groovily riffed on the timeless pieces of MM (some of which are great, many of which are good but not spectacular despite the way people genuflect when the name is mentioned). But no. I was happily surprised to find that most of the entries were thoughtful with great meaning for modern readers. And oddly original (except where writers felt obligated to do the "ramble," which for the most part was too superficial an idea of how to pay homage to MM as well as somewhat annoying as line after line cascaded down the page naked of punctuation or with punctuation tossed in randomly like peppercorns in a beet salad then partially retrieved as the chef realized the fallacy of putting them in that kind of salad but of course some were left and those stand out,, precisely because they are left and we know the dog won't eat them so what to do with leftovers). Hence, if you can get beyond that misstep, there is much here worth one's time. Each entry begins with a quote that serves as an appetizer more than a referent. Following the essay is a short blurb in which the writer explains what was intended or how the piece took shape (think bonus feature on a DVD). Read the work with an open mind. If you simply want MM go re-read MM. If you want short, beefy bumps that leave you rubbing the spot then this collection is about as good as you are likely to get. In many ways it is actually better than just re-reading MM because the ensemble presents very differently from piece to piece, one can never tell what charming strangeness will be lobbed out from the pages. These modern pieces also do something that MM, Seneca or many other extinct palers can't quite achieve today: they make you pause between pages to ponder not just the ideas against self, but also timely applications in myriad ways tangible and poignant. Frankly, I found the best way to appreciate the collection was to read it a bit here, a bit there and during downtime throw in liberal soakings in audible.com's version of MM's originals. Like Chinese eye exercises, one focuses at a raised digit just past the nose then down several centuries and back. At times dizzying; sometimes you just notice some dirt under your thumbnail.

2 of 2 people found the following review helpful. strong collection--don't be put off even if you haven't read Montaigne By B. Capossere Read about the essay form for more than five or six minutes, and you’re almost bound to come across a reference to Montaigne. Write essays, and it’s almost incumbent upon you to at some point confront Montaigne, who began the whole thing so long ago. Which makes it surprising it’s taken so long for an anthology that asks contemporary essayists to do just that in blunt, precise fashion, as the editors Patrick Madden and Chris Lazar relate in their introduction, comparing the essays to cover songs: “We asked more than two dozen . . . essayists to give us their take on a Montaignean subject . . . [in an] attempt to reenvision Montaigne’s topics through a contemporary sensibility.” As an added bonus, the editors also asked the authors to include a brief coda “explaining the process through which the essayist translated, transfigured, reimagined, or rethought some of the essential ideas, figures, and motifs in Montaigne’s original” (and I’d be lying if I didn’t say I preferred a few codas to the actual essays themselves). Like most collections, After Montaigne has its hits and misses, but the former easily outnumber the latter, and the scales are also tilted by the fact that the excellent essays make the worst ones mostly forgettable.Similar to Montaigne’s originals, the essays range widely in subject and tone, range perhaps even more widely in style and structure, and finally also vary in their attitude toward their source material—some writing in concert with Montaigne, some against (some, as they tell us in the coda, began one way but ended the other), some yanking him forward in time, others content to let him remain in the past. This variety is a clear strength of the collection, as one is almost certain to find something (more than a few somethings more likely) that appeals.I confess the collection started a bit rough for me, but hit its stride a few essays in with Lia Purpura’s standout piece “Of Prayers,” concerning the murder on one of her students by the student’s father, funneling the incident through a sharp focus on the quilt found at the crime scene: “The quilt bore the weight of the act, of the bodies; and since such fabric isn’t given to absorbing, it must have made channels, and there the blood pooled. There were runnels. And chambers.” The murder is linked as well to the suicide of one of Purpura’s close friends, an act Purpura imagines again and again, as “a new piece of that scene fills in, suggests itself, makes a bid for inclusion.” I loved the movement within this piece, the vividness of its scenes and details, the fully introspective voice, and startlement of language. This was easily my favorite piece, but far from the only strong one. My other favorites were:Bret Lott’s “Of Giving the Lie.” I liked the way the essay was structure, along with its focus on story, use of third person, and strong sense of narrative and place.Steven Church’s “Of Idleness” makes use of photos, historical references, and news stories as he examines his own relationship to the idea of idleness and in particular the form it takes via the teenagers that loiter in stores and public areas, but especially just across the street from his home. Throughout, one has the sense that Church is unsure himself of what he’ll learn about his attitudes, and the end scene is pitch perfect.Barry Borich’s “Of Wearing My Red Dress” takes what could have been a breezy piece focusing on clothes and shifts quickly into a substantive, at times disturbing examination of how her social interactions and dress (the titular one in particular) intertwined.Judith Oriz Cofer’s “Of Books and Huecos” is a poignant, moving work that begins with the author disposing of her recently deceased mother’s goods, several of which becomes vehicles for her to come to understand her immigrant mother’s two-world existence, her longing for home, and the way the author herself has “no dream of home that can compare to hers.”In a somewhat different vein from the other essays, Chris Arthur’s “Of Solitude” is a nice overview both of Montaigne and his work and of the essay in general, bringing in his own experiences but in a less intimate fashion than many of the other writers.Marcia Aldrich has a painful (literally and otherwise) epiphany while on a horseback ride in Mexico, made perhaps even more agonizingly effective by the reader knowing just where this piece is likely to go.These half-dozen or so stood out particularly for me, but most others succeeded at least partially. Some I wholly enjoyed but felt they seemed not quite complete, some on the other hand went longer than I needed them to, but still had long passages that were moving or thought-provoking, and one or two didn’t compel so much in their content but were presented in an engaging voice. There were only a handful I didn’t much care for at all, and as mentioned above, these few were more than balanced by the stronger ones, making this an easy collection to recommend, whether one has read Montaigne or not.

0 of 2 people found the following review helpful. Don't bother By Peter Morelli Poor attempt to mimic the master.

See all 3 customer reviews... After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press


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After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press
After Montaigne: Contemporary Essayists Cover the EssaysFrom University of Georgia Press

Jumat, 23 September 2011

Leonardo Da Vinci, by Kenneth Clark, Martin Kemp

Leonardo Da Vinci, by Kenneth Clark, Martin Kemp

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Leonardo Da Vinci, by Kenneth Clark, Martin Kemp

Leonardo Da Vinci, by Kenneth Clark, Martin Kemp



Leonardo Da Vinci, by Kenneth Clark, Martin Kemp

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A personally compelling introduction to Leonardo's genius, a classic monograph of Leonardo's art and his development.

Leonardo Da Vinci, by Kenneth Clark, Martin Kemp

  • Amazon Sales Rank: #666198 in eBooks
  • Published on: 2015-11-26
  • Released on: 2015-11-26
  • Format: Kindle eBook
Leonardo Da Vinci, by Kenneth Clark, Martin Kemp

About the Author Sir Kenneth Clark (1903-1983) was the premier art historian of his generation. During his career, he held a variety of positions, including fine arts curator at the Ashmolean Museum, Oxford; director of the National Gallery; and Slade Professor of Fine Art at Oxford. In 1969, he presented the well-regarded television series, Civilisation: A Personal View. He was granted a life peerage in the same year. Martin Kemp is Emeritus Professor of History of the Art at Oxford University.


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52 of 52 people found the following review helpful. The best introduction to Leonardo & a compelling read By Nom de Guerre Kenneth Clark's book is probably the best available introduction to Leonardo da Vinci. It is both a good biography and an insightful analysis of Leonardo's art and artistic career. The text is appropriate for both laymen and students of art history. Clark's writing is concise and extremely engaging (to the point where I would recommend reading this book for fun), but it is also intelligent and very informative, with a clear thesis that ties the vast body of matieral covered together into an easily comprehensible package. This book is slightly out of date now, but Martin Kemp's introduction and revision help to ammend for that. I particularly recommend this most recent edition as it is well-illustrated.

33 of 36 people found the following review helpful. A masterpiece about a great master By A Customer This is THE classic monograph on Leonardo da Vinci, written with grace, sensitivity, and an incomparable knowledge of Leonardo's surviving works. Those who have read Kenneth Clark's "Civilization," or seen the TV series which he narrated, already have experienced his wit and intelligence. Clark's "Leonardo" first came out in 1939, then was reissued in 1959 and 1967, with the author's revisions. Martin Kemp's new edition brings the bibliography up to date, expands the illustrations, and provides an informative evaluation of Clark's accomplishment. Kemp is currently the world's premier Leonardo scholar. The description posted for Clark's "Leonardo" describing the book as a DK edition is for a DIFFERENT Leonardo book, not for Kenneth Clark's "Leonardo," which is a Penguin publication. I hope my review will be linked to the correct page.

8 of 8 people found the following review helpful. An excellent introduction to Leonardo By Shalom Freedman This work provides a good introduction to the fascinating subject of Leonardo and his creative genius. Clark writes with elegance and insight about the whole span of Leonardo's career. He focuses on the drawings and provides the reader with an understanding of Leonardo's technical and artistic accomplishment. Clark is also reserved in his claims of understanding the mystery of Leonardo's personality and human relation.Like Leonardo in his inventions Clark does not supply the full and final detail that gives the complete picture. His work is a fascinating introduction which however gives a basic understanding of the subject.

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Rabu, 21 September 2011

Final Debt (Indebted) (Volume 6), by Pepper Winters

Final Debt (Indebted) (Volume 6), by Pepper Winters

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Final Debt (Indebted) (Volume 6), by Pepper Winters

Final Debt (Indebted) (Volume 6), by Pepper Winters



Final Debt (Indebted) (Volume 6), by Pepper Winters

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The Last Book in the New York Times Bestselling Dark Romance Series. Where love tries to triumph and darkness continues to reign.... “I’m in love with her, but it might not be enough to stop her from becoming the latest victim of the Debt Inheritance. I know who I am now. I know what I must do. We will be together—I just hope it’s on Earth rather than in heaven.” It all comes down to this. Love versus life. Debts versus death. Who will win?

Final Debt (Indebted) (Volume 6), by Pepper Winters

  • Amazon Sales Rank: #647975 in Books
  • Published on: 2015-11-30
  • Released on: 2015-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.18" w x 5.50" l, 1.32 pounds
  • Binding: Paperback
  • 472 pages
Final Debt (Indebted) (Volume 6), by Pepper Winters

Review "Pepper's books are thrilling, romantic and oh-so-sexy!" ~ Bella Andre, #1 bestselling author of The Sullivans series "Final Debt is a masterpiece, the perfect compilation to the amazing Indebted series. I couldn't put it down until I finished the final word!" ~Aleatha Romig New York Times and USA Today bestselling author.

  • Spectacular, phenomenal and outstanding are words that just don't seem enough when it comes to describing this work of art, because that's exactly what this was for me... a work of art.  5 Stars--Hopeless Romantic Book Blog

From the Author Don't forget about the INDEBTED EPILOGUE OUT NOW

About the Author Pepper Winters is a New York Times, Wall Street Journal, and USA Today International Bestseller. She loves romance, star-crossed lovers, and the forbidden taboo. She strives to write a story that makes the reader crave what they shouldn’t, and delivers tales with complex plots and unforgettable characters. After chasing her dreams to become a full-time writer, Pepper has earned recognition with awards for best Dark Romance, best BDSM Series, and best Hero. She’s an #1 iBooks bestseller, along with #1 in Erotic Romance, Romantic Suspense, Contemporary, and Erotica Thriller. She’s also honoured to wear the IndieReader Badge for being a Top 10 Indie Bestseller. After releasing two books with Grand Central, Hachette (Ruin & Rule and Sin & Suffer) Pepper is a Hybrid Author of both Traditional and Self-published work. Represented by Trident Media, her books have garnered foreign interest and are currently being translated into numerous languages, including already released titles in Italian and Turkish. Audio Books for her entire back-list will be available in 2016.


Final Debt (Indebted) (Volume 6), by Pepper Winters

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27 of 27 people found the following review helpful. Suspended Reality versus Incredible Disbelief By CC I am writing this review with hesitation and even wondering why I bother; clearly I am in the minority of the remaining fans reading the last installment of Indebted. All those who give this book five stars must have been reading a different alternative book that the one downloaded in my kindle, there is nothing in final debt that "wrapped everything in a nice bow" except lots of useless sex, random chapters with no purpose and so many loose ends one wonders if the author lost track of what and who she was writing about.It's hard for me to write this review because I really really wanted redemption after book five. Ms. Winters has in the past shown she has talent, storytelling ability and capability. Hoping and wishing against all odds that maybe just maybe book five was the exception not the rule of what Indebted series was to be became an awesome concept that couldn't be executed and fell flat.I don't hate book six as I did book five, but the idea that this is one of the best dark books or series ever written is unconscionable. Internal inconsistencies among the books and story line and the inability of the story teller to keep track of the plot line and characters and know who did what and how things happened make it impossible to take anything said in the last two books and epilogue seriously (and yes I am a chump I even bought the epilogue).Like the last seasons of many TV programs like those of Dallas, Ally McBeal and True Blood (who jump the shark before their last season) it's like this story exploded, plot disintegrated and editing didn't exist. Which is kind of scary that Ms. Winters thanks those who give her feedback, when clearly those who do are either not reading what she writes or are as confused as to what is happening that they rather ignore it and not tell her. Makes you wonder if the saying tell me who you hang around with and it tells me who you are is not just fantasy but reality.There are so many inconsistencies in this book that even if you bite on the suspended reality of the Indebted universe that contemporary universe make no sense and has no correlation to the supposedly contemporary world that it exist in. I would be writing days on end of all that went wrong, but here are some of the major flaws in this story. SPOILERS AHEAD:1. Emma Weaver wins the bad mother of the century award. She looks at the three babies she has as a teenager and decided by looking at them Nila will be the one who ends debt inheritance. How did this happen? Ms. Winters never explains why Emma who when she had the triplets and give the oldest in adoption knew she was going to be taken (maybe she was a witch and had the sight?) and did nothing. So did she know she was going to be taken or didn't she. It cannot be both sorry even if this story it’s all about “emotion” not logic. Oh and let's not forget the Weaver who seem tstl anyway were able to hide this from the all-powerful Hawks. Yeah right—oh and just to make sure to put the nail of the coffin to make sure she is crowned she writes Nila a letter. Really?????2. After Daniel supposedly rapes Nila, Cut without talking to Daniel, watching a tape or witness takes Nila's word that Daniel finished the third debt. This is the man who runs an empire? Really how is this consistent with "everything needs to be documented"? So we are to believe Cut just leaves Africa and doesn't search for his heir. We truly are in Never Ever Neverland.3. So we are also supposed to believe that the all-powerful Hawks who “are not afraid of anything” (they even have a big vault that holds documents of every single atrocity committed and with lots of evidence) but they cannot figure a way to import their diamonds from their mine. Another one for the "I must be too dumb scenario" to believe a family who has everyone in their pocket (including the Prime Minister and Crown) smuggles personally their merchandise. Completely without sense except to why not add another 5 chapters to an already confusing mess.4. So did child protective services/social service (or whatever they are called in England in the 21st century) ever wonder why Jaz was paralyzed? Of course not the Hawks just could do anything and are untouchable, but couldn't figure out Jethro wasn't killed or that there was a third Weaver. Yes and this all makes sense because they are so powerful they don't dispose of bodies either.5. And why did everyone die a convenient death. Really? Daniel injured and killed by Nila and then eaten by lion (no evidence of course conveniently for all), Bonnie expired just when she needed to die and naturally to boot because who really wants to kill the spawn from hell; but she is 90 after all, and then Cut, expires too. Oh and all of the sudden Bonnie was “married into the family” instead of as said by the author on her Facebook page at one point “Bonnie didn’t marry into the family she is an original Hawk she IS the family.” Now I gather this is another one of those emotion things—oh and let us not forget at some point she was referred as Bonnie Weaver. Let us not worry our pretty little heads about this.6. And the book that was supposed to wrap it all up just leaves us with the question what was the whole purpose of the debts again? It was told so many ways and in such different scenarios, that at the end I could not figure out if anyone knew what the hell happened. And probably the author forgot too, what the debts and purpose are. But let's not forget endless amount of words are spent explaining why the Weavers "must sign a contract and accept their fate" of course this is enforceable by who knows whom (clearly not a court of law or country in which the Hawks have to smuggle goods into) of course this somewhere that exists in the Indebted la la land and even there it makes no sense.The one good thing about this book (aside of the series ending) is that Nila finally stopped whining, being a space mat and spouting in her head and became somewhat a more likable character (wanting to keep the collar on aside (epilogue) which is creepy psyhco and just icky) she finally did something. Which is why I'm giving the book two stars instead of one.I did have to mention that while I loved the premise and are not oppose to suspended reality each book the suspension increased (here are a few examples) making it into the incredible disbelief land that nowhere resembles any modern universe in the 21st century (and as a reviewer pointed out in book five that is probably why all people who know the difference between its’ and it’s; there, they're, and their; fantasy and fiction; too, two, and to; and no and know stopped reading ages ago)-Book one--Queen versus King (who signed it)—just a mistake is the explanation I will bite it happensWas the debt signed in the 1400 or the 1600 (details details who cares right it’s all about the story)Milan is in Spain in this alternative EuropeNila has a cellphone but instead of calling the police she is texting Kite and her brotherBook two--Generally okay except she still had a phone, never called for true help makes you wonder why didn’t she video something and you tube it, Instagram or twitter it.This evidence gathering. Really they are criminals and record everything?Oh and after running naked for her life she gave him oral sex. Yep just what a women fighting for her life who has no sexual experience will do with gusto.And she is not a masochist but they have sex after he draws blood by whipping her 21 times. Yep.Book three- when it started to get shaky..The third debt in the chair and the drowning. So they drown her, she dies several times and then she has sex under the warm water a couple of hours later.And then while beautifully written it's never really certain or clear who has the power to do what or what happens under the “magical document” if the Hawk doesn’t complete the “debts.”And then the visit to the graves—so was it a grandmother or great grandmother? (And yes it makes a difference because of the age and the who would have been involved in the debts—but since it’s all about emotion who cares right). But I gather if you call a pear a zucchini it doesn’t matter because it’s healthy to eat them and those who dare to point out the difference are just too critical, negative and mean.Why are the markings important? Oh yes the Hawks need to make sure to follow protocol (Sometimes? Maybe? Who knows? Or cares at the end as long as there is sex) but more evidence is important to collect.Book four-So Nila leaves right and does nothing. Again doesn't take precautions, doesn’t contact the police, doesn't help her brother, doesn’t plan for the eventuality they will take her again and doesn't get a tracker to make sure they can find her.And NO ONE can take the collar off (we can operate with robots on a heart without leaving scars reattach limbs but no one can figure out the collar made in medieval times). Really NO ONE! Maybe they can find a jewel thief or cut the damn diamonds and sell them. Or better yet collect the evidence against the Hawks.They couldn't figure out how to dock the tape really to make it more believable? I mean nowadays kids can use iPhone and create presentations. But here they had to use the old tape. Stupidest thing ever Augh!!! and the good guys fell asleep. Just what one who is running for their life does.Book five-Explanation of why they are powerful makes no sense (book six they still have to smuggle their diamonds so how powerful can they be they cannot even bribe English customs)Completely misunderstanding of legal system, monarchy and democracy for no particular plot reason (setting aside the fact legal law firms as described in the book didn’t exist till the 1800)Historically inaccurate with no attempt to understand geography or when diamonds were discovered, who discovered them or what country controlled themPremise of how Hawks became powerful never truly explained just more useless words and lots of relatives that were all meshed together in a big pot with different names at random timesJethro having sex with Nila again after she is tortured, fixing her hair because that broke her and then leaving her (this is never explained—OH YES—it’s the Will cannot let that one stand)This is Jethro’s awesome plan.Don’t even get me started on the nonsense of the "Will."Book six-See above.So at the end of the day what was an opportunity to create a wonderful A story that would be immortal became a comedy of errors worse than a D movie, however, all is easily accepted by those who like the “words” just because and thus a contemporary modern dark read doesn’t reflect any reality or connection to the 21st English or Italian or African countryside it’s supposed to happen in. Makes you wonder if all of this had been avoided if it happened in an alternative universe and why if emotion was supposed to be the driving force not just place it there instead of creating this mess. And while writers and artists deserve our upmost respect so do the readers deserve to be treated as if they can read and think.

9 of 9 people found the following review helpful. Disappointed... By Kindle Customer So disappointed. The last two books were clearly made of mostly filler. Needless, worthless, constant internal dialogue by the two primary characters. Skimmed over much of it and the same mechanical sex scenes. I feel ripped off. Just like the last volume ended, the two act mindless and rut like animals in times of incredible danger when action is critical. Unrealistic. There are so many sex scenes, they become mundane, repetitive, and sickly with all the internal dialogue going on. They aren't sexy. This was a dark series but I think the author took her work in a sad and wrong direction.A good thirty to fifty percent of the book is the dialogue, mindless rutting, extreme violence, and revelations that we've mostly figured out. It wasn't necessary to hear from Bonnie or Mabel, both evil and seriously sick and psychotic women. The saying "For every good man... Same for women. The only thing that moved me was Kes, letting himself go and God rest it. I did care to know was what happened to Jasmine as well. The rest we'd already mostly figured out.I was appalled that Jethro expects Nila to continue to wear the halo of doom around her neck for life and she wants to. Between that and the bloody bracelet and ring made out of a diamonds representing a long line of blood and sacrifice, she should have felt weighted down by horrifying disgust. Even I wanted to throw up. What does Jethro want to do? Rut again. It's not even romantic anymore and carries a lack of respect for the emotions behind the story.Personally with what was revealed, I think Tex and Cut should have squared off and both died. I think the only ones that should have been left was Kes, Jaz, and Vaughn. When the others passed, that is when Kes should have awakened. I kind of despised even Jethro and Nila by the end for their ignorance and one-minded selfishness. Asked for my money back on the epilogue because I'm sure I can't stomach it. Two stars is for the time the writer invested in the mess.Sorry I wasted my time and money.

11 of 12 people found the following review helpful. I quit this book. done, over - thoroughly fed up. By marinellisuz Couldn't finish. After 6 books of this I was/am wanting this DONE. only reading because the story wasn't finished. But mentally in book 5 I started to just feel EXHAUSTED with the story line over and over and over --- and I'll be honest The lead guy - not a MAN, a freaking pushover. OMG. not worthy of all the sh#t she has gone through and definitely not worthy of putting herself BACK into horrible dangerous situations. And he just can't SAVE her... WTH??? I am just done. don't care what the end is. Story shouldn't have been freaking stretched out so damned long, should have been done on book 3.

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Final Debt (Indebted) (Volume 6), by Pepper Winters
Final Debt (Indebted) (Volume 6), by Pepper Winters

Modern China (Understanding Modern Nations), by Xiaobing Li

Modern China (Understanding Modern Nations), by Xiaobing Li

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Modern China (Understanding Modern Nations), by Xiaobing Li

Modern China (Understanding Modern Nations), by Xiaobing Li



Modern China (Understanding Modern Nations), by Xiaobing Li

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Providing an indispensable resource for students, educators, businessmen, and officials investigating the transformative experience of modern China, this book provides a comprehensive summary of the culture, institutions, traditions, and international relations that have shaped today's China.

• Covers contemporary Chinese politics, economy, geography, law, education, culture, and history, providing readers with a breadth of insights into modern China and its people

• Addresses a variety of current issues such as pollution, corruption, human trafficking, human rights, civil liberties, and the one-child policy

• Contains accessible information ideal for high school and college-level students, grade school teachers, and any readers interested in the general topics of Asia and China

Modern China (Understanding Modern Nations), by Xiaobing Li

  • Amazon Sales Rank: #1370675 in Books
  • Published on: 2015-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.00" w x 7.01" l, .0 pounds
  • Binding: Hardcover
  • 421 pages
Modern China (Understanding Modern Nations), by Xiaobing Li

Review "It is refreshing to see a work that tries to provide a multitude of perspectives in understanding a nation's personality. Each entry is clear, well organized, and highly readable, making it accessible to readers without a background on China. Recommended for high school students and general readers looking for an introduction to modern China and its peoples." - Booklist, Starred Review

About the Author

Xiaobing Li, PhD, is professor and chair of the department of history and geography and director of the Western Pacific Institute at the University of Central Oklahoma, Edmond.


Modern China (Understanding Modern Nations), by Xiaobing Li

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1 of 1 people found the following review helpful. became a world super power in the early twenty-first century By Chinese history researcher This one-volume encyclopedia details the most important and influential people, events, culture, and international relations behind the rise of China. It demonstrates how this third-world country in the twentieth century, became a world super power in the early twenty-first century. To explain China’s transformation into the second largest economy in the world, only after the United States, this book adopts a general format consisting of overviews on 18 key topics such as geography, economy, law, government, religion, military, social classes and ethnicities, gender, education, and media, followed by more than 250 short entries related to these topics. Readers can quickly grasp China’s experience, and understand the facts and costs of the modernization of the most populous as well as one of the largest countries in the modern world. It is a very useful reference book.

0 of 0 people found the following review helpful. Five Stars By History Reporter This book provides a comprehensive resource on modern China, including complete coverage, such as ideologies from classic Confucianism in 2,500 BC to current communism and nationalism; balanced views with the progress and problems such as poverty, one-child policy, death penalty, and comparison of Chinese standards with Western and American values. All the entries are written by the same author, Professor Xiaobing Li, who lived in China for 30 years. The consistency through the book reflects a Chinese perspective, and an insider’s view offers a better understanding of complicated issues and policies, identifying several general patterns according to China’s own logic in its modernization. Some other titles on the same topic have overlooked the complex nature of the tremendous changes in China during the modern age. This book provides enlightening information for those engaged in the study of Modern China, including high school juniors and seniors, college students, grade school teachers, and those who are interested in the general topic of Asian and China Studies.

0 of 0 people found the following review helpful. I’ve found the background data, brief historical information, ... By Amazon Customer I’ve found the background data, brief historical information, statistics, and factoids fascinating in this book. For example, it describes China’s death penalty and law enforcement as the following: “China accounts for over 70 percent of criminals executed in the world per year, and some international human rights organizations have put the number at between 10,000 and 15,000 a year, or approximately twenty to thirty executions per day, more than the entire rest of the world combined. The 1997 legislation further decentralized the appeals process, giving final authority to the provincial supreme courts rather than to the national Supreme Court. Executions are often carried out on the same day as sentencing. Both of these measures have increased the annual number of executions in recent years.“In October 2009, British Prime Minister Gordon Brown condemned the Chinese governmental decision to execute a British citizen in Xinjiang. Despite his request, and the British family’s appeals for clemency on the grounds of mental illness, Chinese authorities executed the British

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